Five Revolutionary Seconds IV

Sam Taylor-Wood.

1996

Fotoinstallation

Dokumentation: Manifesta 1. Dokumentation / Documentation

Photo-installation at the Chabot Museum The artist presents a tantalizing view of domestic life. A 360-degree view of a microcosm in which emotionally loaded scenes take place. Toilsome and unstable relationships between people are the central subject. The scene is confronting, alien and familiar at the same time. The spectator will inevitably be submerged in it. (Text: Manifesta) Courtesy: Jay Joplin Gallery