fck tempus fugit

– Stadtwerkstatt, STWST

We pass away against the background of eternity. In waiting we follow the
timeless. In the timelessness comes the silence. Now the ecstasy shows itself in
the things … untouched, fresh ground … remember Courbet …

Three stones, from the cemetery wall adjacent to the STWST, are gold-plated. The
stones float in black milk - an oxymoron that speaks to ontological paradox.
The black milk is poured into a low basin in the shape of a Pascal's triangle.
Acoustically, the order is indicated with thunder, which temporally follows the
Fibonacci series as reverb.

Source sound: “Thunder” sample as impact and pad sound.
Sound variation: Source sound spreads in the room (reverb plug-in), with the room
response serving as the new source sound; this is in turn sent to the new room
(room response of the room response of the room response).
Composition: The compositional context follows the Fibonacci series.
1: Silence between the impacts (thunder): 1 sec., 1 sec., 2 sec., 3 sec., 5 sec., ….
233 seconds.
2: Duration of the sound variations: 1 min., 1 min., 2 min., 3 min., 5 minutes.
3: Modulation by effect plug-ins (Haas effect, saturation) follows a repeating 1-1-2-
3-5 rhythm.

[Quelle: https://web.archive.org/web/20250212040331/https://stwst48x7.stwst.at/en/fck_tempus_fugit]

Pamela Neuwirth (Installation), Harald Purrer

Ausstellungen / Veranstaltungen

2021 STWST 48x7. Out of Matter, Stadtwerkstatt, STWST, Linz