| 2026 |
Georg Petermichl. U.T. (After Kelley)
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| 2026 |
Birgit Ulher & dieb13
|
| 2026 |
Stefan Brandmayr, Pia Mayrwöger. Hobby
|
| 2023 |
Über das Neue. Wiener Szenen und darüber hinaus - Teil 3
|
| 2022 |
Lucas Norrer. Composition #7
|
| 2022 |
Anna Vasof. How do you move the Audience?
|
| 2022 |
Anna Lerchbaumer. flickering red lights and dead batteries
|
| 2022 |
Samuel Brzeski. Blake fruid
|
| 2022 |
Clarice Calvo-Pinsole. ce qu’il reste des échos
|
| 2021 |
Tom Bagaert. SUN RA RA
|
| 2021 |
Amanda Burzić, Will Hughes. Goosebumps
|
| 2021 |
Elisabeth Molin. A CLICK, A WINK, A NOD OR THE BLINK OF AN EYE – a temporary assemblage exploring the edges of perception
|
| 2021 |
Tombola III
|
| 2021 |
Tautologies. Or The Fallacies of Misplaced Concreteness
|
| 2020 |
Susanna Flock. how to turn a man into a melon
|
| 2020 |
Sascha Brosamer. Transoceanic
|
| 2020 |
Julia Gutweniger, Katharina Zimmerhackl. The tongue is a highly flexible organ
|
| 2019 |
Teresa Cos. Tunnel Boring Machine
|
| 2019 |
Cinéma Maison S01E02
|
| 2019 |
Uku Sepsivart. The Amateur Naturalist
|
| 2019 |
Anna Schimkat, Georg Pinteritsch. Whereabouts
|
| 2019 |
Paola Pasquaretta, Michele Bazzana. Buffering
|
| 2018 |
A Recollection of Resonances. bb15’s 10-Year Anniversary Exhibition
|
| 2018 |
Kleft. Socken Zone
|
| 2018 |
Catherine Lorent. Relegation_Flexus
|
| 2018 |
Steve Bates, Kristen Roos. The Dis/ease/s of the Ear
|
| 2018 |
Augendusche
|
| 2018 |
Susannah Stark. Searchlights
|
| 2017 |
A Vocabulary of Noise
|
| 2017 |
Pio Rahner. Clouds (working title)
|
| 2017 |
Jakub Vrba. Challenger
|
| 2017 |
Tim Shaw. Collect / Diffuse
|
| 2017 |
Stephan Blumenschein. The 3 of us. From Midnight to 2.a.m.
|
| 2017 |
Jan Adriaans. Synchrony Collapse
|
| 2016 |
Antje Guenther. The Beheading of the Fruitfly (initialized)
|
| 2016 |
The Black Box Theory
|
| 2016 |
Rachael Finney. Losing Chorus
|
| 2016 |
kristallin#33: EXPOrt, IMpORT, im PULS
|
| 2016 |
Paul Devens. Folly 2 / Igman Hotel
|
| 2016 |
Yoojin Lee. As long there is time to sleep
|
| 2016 |
Lorena Mal. Breaking Point
|
| 2016 |
Helen Anna Flanagan. Game and Performance
|
| 2016 |
Miriam Hamann. 0,5m3
|
| 2015 |
Alice Pamuk. High Fidelity
|
| 2015 |
Marita Bullmann. Three points where two lines meet
|
| 2015 |
Michael Heindl. Once I walked so far I lostmy toenails
|
| 2015 |
Jens Höffken. Frühstück in Zeiten der Dekadenz
|
| 2014 |
David Gauthier, Jacob Sikker Remin. Waveforms of the Earth
|
| 2014 |
Julian Day. Consensus
|
| 2014 |
Feuer füttern
|
| 2014 |
Ivo Francx, Bartholomäus Traubeck. Akkurat Orgeln
|
| 2014 |
iii. No Patent Pending #6
|
| 2014 |
Gloria Zein. Phobophobia Phobiae
|
| 2013 |
Francesco Fonassi. A Brief Introduction to Turbulence
|
| 2013 |
Finding a New Order
|
| 2013 |
Jonas Geise, Martin Bischof. role model
|
| 2013 |
Markus Taxacher, Samuel Schab. Große Trommel, keine Lösung
|
| 2013 |
Gruppe Uno Wien. Meta/Total
|
| 2013 |
Roman Štětina. STUDIO No. 2 (Slapstick)
|
| 2012 |
Use Your Illusion
|
| 2012 |
Sam Bunn. Sculptural Investigation Using Bouncy Balls
|
| 2012 |
Andreas Kurz, André Tschinder. Kurz und Tschinder beschäftigen sich mit Kunst
|
| 2012 |
Chapitre X – La roulette russe
|
| 2012 |
Multi Layer
|
| 2012 |
Grounded
|
| 2012 |
Mensch und Architektur 1: Scheidungsgrund Architektenhaus
|
| 2011 |
Anna Moreno. Learn Something Useful
|
| 2011 |
Nicola Genovese. I’ve been here before
|
| 2011 |
Faxen. Resonate in Response to
|
| 2011 |
Annette Knol, Amelia Bande. Into Onto
|
| 2011 |
Philip Janssens. Field Guide
|
| 2010 |
"...a chain of development, that may eventually find some form" #6 - Bernd Oppl/ Liddy Scheffknecht
|
| 2010 |
Jonas Geise, Armin Pils. "I masterpaint everyday"
|
| 2009 |
"...a chain of development, that may eventually find some form" #5 - Andrea Lüth, Andreas Kurz
|
| 2009 |
"...a chain of development, that may eventually find some form“ #1 - Selma Doborac, Karin Fisslthaler
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