• Österreich, Wien

978-3-200-04408-1

Editor: Sylvia Eckermann, Gerald Nestler, Maximilian Thoman

Mentions: Lawrence Abu Hamdan, Nabil Ahmed, John Barker, Heath Bunting, Pablo Chiereghin, Ines Doujak, Earth Sensing Association, Sylvia Eckermann, Ursula Endlicher, Harun Farocki, Thomas Feuerstein, Forensic Architecture, Bernhard Garnicnig, Christina Goestl, Ayesha Hameed, Deborah Hazler, Lukas Heistinger, Mathias Kessler, Elvedin Klacar, Volkmar Klien, Mark Lombardi, Manu Luksch, Jennifer Mattes, Godofredo Pereira, Axel Stockburger, Gerald Straub, Peter Szely, Technopolitics, Ubermorgen, Stefanie Wuschitz, hoelb/hoeb

Umfangsangabe: 133 S. : Zahlr. Ill.

• Sylvia Eckermann, Gerald Nestler, Maximilian Thoman: Social Glitch Radikale Ästhetik und die Konsequenzen extremer Ereignisse, 2015

This object is part of the collection of the Austrian Cultural Fora/Embassies/Consulates General and the Ministry of Foreign Affairs (BMEIA) and can be accessed at the basis wien archive [2.91.BMEIA.140]. Location: 1150 Wien. Contact: T +43 (0)1 5226795, office@basis-wien.at

• SOCIAL GLITCH: Radikale Ästhetik und die Konsequenzen extremer Ereignisse, 25.09.2015 – 05.12.2015, KUNSTRAUM NOE, Österreich, Wien, Lawrence Abu Hamdan, Nabil Ahmed, Pierre Bal-Blanc, John Barker, Heath Bunting, Pablo Chiereghin, Ines Doujak, Earth Sensing Association, Sylvia Eckermann (Kurator/in), Ursula Endlicher (Performance), Harun Farocki, Thomas Feuerstein, Forensic Architecture, Bernhard Garnicnig, Christina Goestl, Ayesha Hameed, Marlene Hausegger, Deborah Hazler, Lukas Heistinger, Mathias Kessler, Elvedin Klacar, Volkmar Klien, Bettina Kogler, Mark Lombardi, Manu Luksch, Jennifer Mattes, Gerald Nestler (Kurator/in), Godofredo Pereira, Frans Poelstra (Performance), Susan Schuppli, Axel Stockburger, Gerald Straub, Peter Szely, Technopolitics, The Yes Men, Maximilian Thoman (Kurator/in), Ubermorgen, Igor Vamos, Georg Weckwerth (Kurator/in), Eyal Weizman, Stefanie Wuschitz

Archival processing: 2021-06-15