• Deutschland, Berlin

englisch, spanisch

Editor: Arts of the Working Class, Arno Brandlhuber, Olaf Grawert, Nikolaus Hirsch, Alina Kolar, Maria Inès Plaza Lazo, Christopher Roth, Paul Sochacki

Design: Till Sperrle

Mentions: Sénamé Koffi Agbodjinou, Diana Alvarez-Marin, Andrés Arauz, Lara Verena Bellenghi, Anne Katrin Bohle, Francesca Bria, Agnieska Brzezanska, Galaad van Daele, Ludwig Engel, Katrin Fritsch, Bar Gregoryan, Ludger Hovestadt, Finley Hoxha, Jeanne Hu, Stefan F. Höglmaier, Varuna Jael, Mitchell Joachim, Matylda Krzykowski, Lukas Kubina, Samira Lenzin, Cédric Libert, Suhail Malik, Charlotte Malterre-Barthes, Renzo Martens, Gabriel von Max, Evgeny Morozov, Caroline Nevejan, Aang Nkurunziza, Paulina Nolte, Sabine Oberhuber, Verena Otto, Park Chan-Sol, Joanna Pope, Christian Posthofen, Thomas Rau, Rebiennale / R3B, Christopher Roth, S.A.L.E. DOCKS, Attila Saygel, Helene von Schwichow, Jack Self, Audrey Tang, Anna Yeboah

No 120 / August 2038 // Umfangsangabe: 76 S. zahlr. Ill. // This is how we look as a global community: Arts of the Working Class launches its two-sided cover for the first iteration of 2038, the German pavilion’s curatorial project for the Architecture Biennale in Venice, Italy. The project builds a bridge between today and days to come, by extending the dialogue outside of the institutional context. Staying faithful to its own polyglot nature, AWC seeks to reveal the blindspots of socio-political transformations we currently experience by rehearsing a possible future.
[Quelle: http://artsoftheworkingclass.org/, 05.10.2021]

This object can be accessed at the basis wien archive [7.00.AOTWC.100]. Location 1150 Wien. Contact: T +43 (0)1 5226795, office@basis-wien.at

Archival processing: 2021-10-04