| 2021 |
Astrid Esslinger. Ich bin hinausgegangen
|
| 2016 |
Piano Sublimation
|
| 2013 |
Japan Media Arts Festival
|
| 2013 |
Interface Cultures - Use at your own risk!
|
| 2013 |
TOTAL RECALL - The Evolution of Memory
|
| 2012 |
Interface Cultures - Interface Cuisine
|
| 2012 |
THE BIG PICTURE - Exhibition
|
| 2011 |
Ars Electronica Gala 2011
|
| 2011 |
Interface Cultures – Unuselessness – The Useful useless
|
| 2011 |
Symmetries
|
| 2006 |
Some Sounds and Some Fury. Große Konzertnacht
|
| 2006 |
Simplicity Symposium II
|
| 2006 |
Simplicity Symposium I
|
| 2005 |
Konferenz. Prix Ars Electronica Forum
|
| 2005 |
DIY. databasing!
|
| 2005 |
Ars Electronica Gala 2005
|
| 2005 |
Symposium. Hybrid II. Hybrid Cultures and Politics
|
| 2005 |
Symposium: Hybrid I. Drivers and Patterns of Hybridity
|
| 2005 |
Hybrid Creatures and Paradox Machines
|
| 2005 |
Ursula Hentschläger, Zelko Wiener. Phantasmo II
|
| 2005 |
Daniel Lee. Origin
|
| 2005 |
John Gerrard. The Ladder
|
| 2005 |
CyberArts 2005. Prix Ars Electronica Exhibition
|
| 2005 |
Im Spiegel
|
| 2004 |
Johannes Deutsch. Rheingold - virtuelle Götterwelt
|
| 2003 |
CODE Exhibitions
|
| 2002 |
La Valise
|
| 2002 |
Weltkarten - Change the Map
|
| 2001 |
Dialtones: A telesymphony
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| 2000 |
Next Sex. Sex im Zeitalter seiner reproduktionstechnischen Überflüssigkeit
|
| 1999 |
Sound Drifting
|
| 1994 |
Intelligente Ambiente
|
| 1993 |
Symposium: Artificial Life
|
| 1989 |
Gewebe
|
| 1986 |
Attersee und seine Freunde - rücksichtslose Unterhaltung
|
| 1984 |
Peter Weibel. Der künstliche Wille
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| 1983 |
Andere Avantgarde
|
| 1982 |
Bernhard Leitner. Sound Square
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| 1981 |
Internationale Textilkunstausstellung
|
| 1979 |
Herbert Dimmel
|