Manifesta 3. European Biennial of Contemporary Art

– Cankarjev Dom Gallery / Kulturni in Kongresni Center, International Foundation Manifesta, Mednarodni graficni likovni center, mglc, Moderna galerija Ljubljana, Narodni Muzey Slovenije, Öffentlicher Raum Ljubljana

Host City: Ljubljana
Do You Suffer From A Borderline Syndrome?
Where do YOU draw the line?
Art, science, technology, culture: in all of these territories there is an increasing demand for openness. Traffic between them is intense. At the same time, borders remain necessary to keep a grip, to define identity, to deepen understanding. If there is a tendency to level culture horizontally, to explore the surface, there is an equal and opposing tendency to protect the 'vertical', to ground it in a specific value.
A parallel to the geopolitical situation in Europe might be drawn. In a world where globalisation and regionalisation go hand in hand, where the universality of capital is contradicted by the emergence of national, ethnic, provincial and other exclusionary values, of course it is not just culture that deals with the ambiguities of territory. It is a political issue, a social one. It is the character of global culture at large. Protection from political, economic and cultural homogenisation seems to be a fundamental concern of our time. [...] (website M3)

Adel Abdessemed (Konzeptkunst, Zeichnung), Pawel Althamer (Film, Interventionistische Kunst, Performance), Maja Bajević (Aktion, Interventionistische Kunst, Video), Simone Berti (Farbfotografie), Ursula Biemann (Video, Videoinstallation), Roland Boden (Konzeptkunst, Video, digitale Bildbearbeitung), Francesco Bonami (Kurator/in), Ole Bouman (Kurator/in), Agnese Bule (Animationsfilm), Yane Calovski (Audioinstallation, Interventionistische Kunst, Kunst im öffentlichen Raum), Phil Collins, Joost Conijn (Video, Videoinstallation), Josef Dabernig (Video, Videoinstallation), Colin Darke (Text, Wandmalerei), De Geuzen. A Foundation for Multi-Visual Research (Konzeptkunst), Elmgreen & Dragset (Installation, Interventionistische Kunst, Konzeptkunst), Fashion Architecture Taste, FAT (Netzkunst), Urs Fischer (Skulptur), Nayia Frangouli (Audioinstallation, Interventionistische Kunst, Kunst im öffentlichen Raum), Marcus Geiger (Konzeptkunst, Kunst im öffentlichen Raum), Amit Goren (Interventionistische Kunst, Video, Videoinstallation), Veli Granö (Video, Videoinstallation), Mária Hlavajová (Kurator/in), Pravdoliub Ivanov (Objekt, Rauminstallation), Ivana Jelavic (Konzeptkunst, Video), Koo Jeong-A (Objekt, Rauminstallation), Daniel Jewesbury (Audioinstallation, Konzeptkunst), Šejla Kameric (Interventionistische Kunst, Kunst im öffentlichen Raum), Ian Kiaer (Malerei, Objekt, Rauminstallation), Edward Krasinski (Farbfotografie, Objekt, Rauminstallation), Darij Kreuh (Audioinstallation, Computergrafik, Rauminstallation, interaktive Kunst), Denisa Lehocká (Objekt, Rauminstallation, Zeichnung), Aleksander Melkonyan (Bodenarbeit, Skulptur), Matthias Müller (Film, Videoinstallation), Paul Noble (Zeichnung), Anton Olshvang (Farbfotografie), Roman Ondák (Interventionistische Kunst, Objekt, Rauminstallation, Zeichnung), Anatoly Osmolovsky (Kunst im öffentlichen Raum, Objekt), Adrian Paci (Video), Manfred Pernice (Fotografie, Literatur, Objekt, Rauminstallation), Diego Perrone (Farbfotografie), Susan Philipsz (Audioinstallation, Kunst im öffentlichen Raum), Marjetica Potrc (Interventionistische Kunst, Kunst im öffentlichen Raum, Video), Arturas Raila (Konzeptkunst, Video), Kathrin Rhomberg (Kurator/in), Anri Sala (Konzeptkunst, Video), Bülent Sangar (Farbfotografie), Sanna Sarva (Farbfotografie, Literatur, Text, Video), Tomo Savic-Gecan (Konzeptkunst, Rauminstallation), Schie 2.0 (Schwarz-Weiß-Fotografie, Text), Ene-Liis Semper (Video, Videoinstallation), Stalker (Environment, Farbfotografie, Interventionistische Kunst, Text), Simon Starling (Farbfotografie, Objekt), Nasrin Tabatabai (Konzeptkunst, Video), Sarah Tripp (Video), Francisco Tropa (Objekt, Rauminstallation), Joëlle Tuerlinckx (Installation, Kunst im öffentlichen Raum), Sislej Xhafa (Performance, Video), Igor Zabel (Organisation), Jasmila Zbanic (Video), Gregor Zivic (Farbfotografie), gruppo A 12 (Konzeptkunst, Kunst im öffentlichen Raum, Netzkunst), rasmus knud and Søren Andreasen (Audioinstallation, Rauminstallation, Video, Videoinstallation), Škart, Nika Špan (Video, Videoinstallation)

Objects (66)

(Archival material, Publications)

Year
2024 Interview with Boris Ondreicka (Text)
2023 Interview with Zdenka Badovinac on the Arteast 2000+ Collection, Moderna galerija, Ljubljana (Text)
2001 Oliver Ressler's Project I'M Fired (IMF) at Virtual Manifesta (Text)
2000 Dear audience, (Text)
2000 Roland Boden. Urban Shelter Units (Publication)
2000 Manifesta 3. Evropski Bienale sdobne umetnosti / European Biennial of Contemporary Art Ljubljana (Publication)
2000 platforma scca (Magazine)
2000 Leinwand Europa. Die dritte Manifesta in Ljubljana versuchte, europäische Grenzerfahrungen auszustellen (Text)
2000 Kunst als Grenzgängerei (Text)
2000 Borderline Syndrom - Verteidigungsenergien (Text)
2000 Manifesta 3 (Text)
2000 Einladung: Manifesta 3. European Biennial of Contemporary Art (Archival object)
2000 Picturing a Place (Text)
2000 Jenaer Rauschen (Text)
2000 Double Talk with Maria (Text)
2000 The Brest - New York Bridge (Text)
2000 The Spectre of Globality (Text)
2000 One Night (Text)
2000 Point Out - Foreign Students in Italy: An Overview of Their Experience (Text)
2000 The Precession of Simulacra (Text)
2000 Ritratto di Pietra. Stone Portrait (Text)
2000 Second Order Installation (Text)
2000 [So what is the feeling ...] (Text)
2000 The Eusa Story (Text)
2000 News from the Battlefield (Text)
2000 Albanian Folks. Terror... Civil war... Chaos... 02351... Rebels... Peace keepers... (Text)
2000 Zoran Naskovski (Text)
2000 The Silence that invites no Interpretation (Text)
2000 Avrupa Duy Sesimizi, 2000 (Text)
2000 Pathological Narcissus as a Socially Mandatory Form of Subjectivity (Text)
2000 Nomadic Power and Cultural Resistance (Text)
2000 The New Academy's Defence (Text)
2000 Interview with Massimo Cacciari (Text)
2000 Diego Perrone (Text)
2000 [A single voice, ...] (Text)
2000 Deadlock Plus 50 On Public Housing in New York (Text)
2000 Positive Aspects (Text)
2000 Insurgent Citizenship (Text)
2000 Arturas Raila (Text)
2000 Nocturnes by Anri Sala (Text)
2000 Peto prizorisce. Televizija kot razstavni prostor sodobne umetnosti / Fifth Venue. Television as an exhibition space of contempoary arts. Peto prizorisce. Televizija kot razstavni prostor sodobne umetnosti (Text)
2000 Holland is a Well Regulated Country (Text)
2000 [The strategic basis ...] (Text)
2000 The Sun (Text)
2000 Sislej Xhafa (Text)
2000 The Spring to Come (Text)
2000 Her Name is Maja Bajevic (Text)
2000 War Zone: Bodies, Identities and Femininity in the Global High-Tech Industry (Text)
2000 [In the metropolises we ...] (Text)
2000 [No sooner had I cought sight of ...] (Text)
2000 The Storyteller. Reflections on the works of Nikolai Leskov (Text)
2000 Do Default Values in Terms of Identity (Text)
2000 On the Line of Borderdrome (Text)
2000 Borders and Thresholds (Text)
2000 Lonnie van Brummelen (Text)
2000 Walled City (Text)
2000 Concentrations and Evacuations. Albert Speer's "Großbelastungskörper" as the secret center of urban implosion (Text)
2000 Luisa Lambri's Images of Vilnius (Text)
2000 The Former Land (Text)
2000 Dont't save art, spend it! (Text)
2000 Europe in the Vicinity of Art: Thoughts after Following the News (Text)
2000 Borderline Syndrome as a Metaphor for Present-Day Europe (Text)
2000 Invisible and fetid borders (Text)
2000 Manifesta 3. Borderline syndrome / Energies of Defence (Publication)
2000 Grenzfälle. Am 23. Juni startet in Ljubljana die 3. Auflage der europäischen (Text)
2000 Therapie im Kulturpalast. "Borderline Syndrome": Die dritte Auflage der Manifesta (Text)