Publication Manifesta 3. Borderline syndrome / Energies of Defence
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Basics
- Slovenija, Ljubljana
ISBN: 961-6157-05-1
Consortium-ID: AC03012019
Properties
deutsch, englisch
Contributors
Editor: Cankarjev Dom Gallery / Kulturni in Kongresni Center, Igor Zabel
Mentions: Adel Abdessemed, Pawel Althamer, Maja Bajević, Simone Berti, Ursula Biemann, Roland Boden, Agnese Bule, Yane Calovski, Phil Collins, Joost Conijn, Josef Dabernig, Colin Darke, De Geuzen. A Foundation for Multi-Visual Research, Elmgreen & Dragset, Fashion Architecture Taste, FAT, Urs Fischer, Nayia Frangouli, Marcus Geiger, Amit Goren, Veli Granö, Pravdoliub Ivanov, Ivana Jelavic, Koo Jeong-A, Daniel Jewesbury, Šejla Kameric, Ian Kiaer, Edward Krasinski, Darij Kreuh, Denisa Lehocká, Aleksander Melkonyan, Matthias Müller, Paul Noble, Anton Olshvang, Roman Ondák, Anatoly Osmolovsky, Adrian Paci, Manfred Pernice, Diego Perrone, Susan Philipsz, Marjetica Potrc, Arturas Raila, Anri Sala, Bülent Sangar, Sanna Sarva, Tomo Savic-Gecan, Schie 2.0, Ene-Liis Semper, Stalker, Simon Starling, Nasrin Tabatabai, Sarah Tripp, Francisco Tropa, Joëlle Tuerlinckx, Sislej Xhafa, Jasmila Zbanic, Gregor Zivic, gruppo A 12, rasmus knud and Søren Andreasen, Škart, Nika Špan
Description
Umfangsangabe: [271] S. : zahlr. Ill.
Contains
- Edi Muka: Albanian Folks. Terror... Civil war... Chaos... 02351... Rebels... Peace keepers..., 2000
- Anders Kreuger: Arturas Raila, 2000
- Annie Fletcher: [A single voice, ...], 2000
- Vahit Tuna: Avrupa Duy Sesimizi, 2000, 2000
- Kathrin Rhomberg: Borderline Syndrome as a Metaphor for Present-Day Europe, 2000
- ARSLAB: Borders and Thresholds, 2000
- Kai Vöckler: Concentrations and Evacuations. Albert Speer's "Großbelastungskörper" as the secret center of urban implosion, 2000
- Richard Plunz, Michael Sheridan: Deadlock Plus 50 On Public Housing in New York, 2000
- Massimiliano Gioni: Diego Perrone, 2000
- Leena-Marija Rossi: Do Default Values in Terms of Identity, 2000
- Ole Bouman: Dont't save art, spend it!, 2000
- Liviana Dan: Double Talk with Maria, 2000
- Mária Hlavajová: Europe in the Vicinity of Art: Thoughts after Following the News, 2000
- Dunja Blaževic: Her Name is Maja Bajevic, 2000
- Gideon Boie: Holland is a Well Regulated Country, 2000
- James Holston: Insurgent Citizenship, 2000
- Hans-Ulrich Obrist: Interview with Massimo Cacciari, 2000
- Paul Virilio: [In the metropolises we ...], 2000
- Invisible and fetid borders, 2000
- Vito Orazem: Jenaer Rauschen, 2000
- Lonnie van Brummelen: Lonnie van Brummelen, 2000
- Anders Kreuger: Luisa Lambri's Images of Vilnius, 2000
- Konstantin Akinsha: News from the Battlefield, 2000
- Edi Muka: Nocturnes by Anri Sala, 2000
- Critical Art Ensemble: Nomadic Power and Cultural Resistance, 2000
- Germaine Geer: [No sooner had I cought sight of ...], 2000
- Hannele Rantala: One Night, 2000
- Viktor Mazin: On the Line of Borderdrome, 2000
- Slavoj Zizek: Pathological Narcissus as a Socially Mandatory Form of Subjectivity, 2000
- Liutauras Pšibilskis: Picturing a Place, 2000
- Pier-Paolo Coro: Point Out - Foreign Students in Italy: An Overview of Their Experience, 2000
- Oscar Grauer, David Gouverneur: Positive Aspects, 2000
- Curzio Malaparte: Ritratto di Pietra. Stone Portrait, 2000
- Janez Strehovec: Second Order Installation, 2000
- Giacinto Di Petrantonio: Sislej Xhafa, 2000
- David Wojnarowicz: [So what is the feeling ...], 2000
- Davide Bertocchi: The Brest - New York Bridge, 2000
- Russel Hoban: The Eusa Story, 2000
- Francesco Bonami: The Former Land, 2000
- Viktor Mazin, Olesya Turkina: The New Academy's Defence, 2000
- Jean Baudrillard: The Precession of Simulacra, 2000
- Ventsislav Zankov: The Silence that invites no Interpretation, 2000
- Dieter Roelstraete: The Spectre of Globality, 2000
- Stefan Zeromski: The Spring to Come, 2000
- Walter Benjamin: The Storyteller. Reflections on the works of Nikolai Leskov, 2000
- Anders Härm: [The strategic basis ...], 2000
- Kruno Stipesevic: The Sun, 2000
- Siebren de Haan: Walled City, 2000
- Yvonne Volkart: War Zone: Bodies, Identities and Femininity in the Global High-Tech Industry, 2000
- Zoran Naskovski: Zoran Naskovski, 2000
Inventory
This object can be accessed at the basis wien archive [2.10.MANIF.100]. Location 1150 Wien. Contact: T +43 (0)1 5226795, office@basis-wien.at
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Exhibitions
- Manifesta 3. European Biennial of Contemporary Art, 23.06.2000 – 24.09.2000, Cankarjev Dom Gallery / Kulturni in Kongresni Center, International Foundation Manifesta, Mednarodni graficni likovni center, mglc, Moderna galerija Ljubljana, Narodni Muzey Slovenije, Öffentlicher Raum Ljubljana, Slovenija, Ljubljana, Nederland, Amsterdam, Adel Abdessemed (Konzeptkunst, Zeichnung), Pawel Althamer (Film, Interventionistische Kunst, Performance), Maja Bajević (Aktion, Interventionistische Kunst, Video), Simone Berti (Farbfotografie), Ursula Biemann (Video, Videoinstallation), Roland Boden (Konzeptkunst, Video, digitale Bildbearbeitung), Francesco Bonami (Kurator/in), Ole Bouman (Kurator/in), Agnese Bule (Animationsfilm), Yane Calovski (Audioinstallation, Interventionistische Kunst, Kunst im öffentlichen Raum), Phil Collins, Joost Conijn (Video, Videoinstallation), Josef Dabernig (Video, Videoinstallation), Colin Darke (Text, Wandmalerei), De Geuzen. A Foundation for Multi-Visual Research (Konzeptkunst), Elmgreen & Dragset (Installation, Interventionistische Kunst, Konzeptkunst), Fashion Architecture Taste, FAT (Netzkunst), Urs Fischer (Skulptur), Nayia Frangouli (Audioinstallation, Interventionistische Kunst, Kunst im öffentlichen Raum), Marcus Geiger (Konzeptkunst, Kunst im öffentlichen Raum), Amit Goren (Interventionistische Kunst, Video, Videoinstallation), Veli Granö (Video, Videoinstallation), Mária Hlavajová (Kurator/in), Pravdoliub Ivanov (Objekt, Rauminstallation), Ivana Jelavic (Konzeptkunst, Video), Koo Jeong-A (Objekt, Rauminstallation), Daniel Jewesbury (Audioinstallation, Konzeptkunst), Šejla Kameric (Interventionistische Kunst, Kunst im öffentlichen Raum), Ian Kiaer (Malerei, Objekt, Rauminstallation), Edward Krasinski (Farbfotografie, Objekt, Rauminstallation), Darij Kreuh (Audioinstallation, Computergrafik, Rauminstallation, interaktive Kunst), Denisa Lehocká (Objekt, Rauminstallation, Zeichnung), Aleksander Melkonyan (Bodenarbeit, Skulptur), Matthias Müller (Film, Videoinstallation), Paul Noble (Zeichnung), Anton Olshvang (Farbfotografie), Roman Ondák (Interventionistische Kunst, Objekt, Rauminstallation, Zeichnung), Anatoly Osmolovsky (Kunst im öffentlichen Raum, Objekt), Adrian Paci (Video), Manfred Pernice (Fotografie, Literatur, Objekt, Rauminstallation), Diego Perrone (Farbfotografie), Susan Philipsz (Audioinstallation, Kunst im öffentlichen Raum), Marjetica Potrc (Interventionistische Kunst, Kunst im öffentlichen Raum, Video), Arturas Raila (Konzeptkunst, Video), Kathrin Rhomberg (Kurator/in), Anri Sala (Konzeptkunst, Video), Bülent Sangar (Farbfotografie), Sanna Sarva (Farbfotografie, Literatur, Text, Video), Tomo Savic-Gecan (Konzeptkunst, Rauminstallation), Schie 2.0 (Schwarz-Weiß-Fotografie, Text), Ene-Liis Semper (Video, Videoinstallation), Stalker (Environment, Farbfotografie, Interventionistische Kunst, Text), Simon Starling (Farbfotografie, Objekt), Nasrin Tabatabai (Konzeptkunst, Video), Sarah Tripp (Video), Francisco Tropa (Objekt, Rauminstallation), Joëlle Tuerlinckx (Installation, Kunst im öffentlichen Raum), Sislej Xhafa (Performance, Video), Igor Zabel (Organisation), Jasmila Zbanic (Video), Gregor Zivic (Farbfotografie), gruppo A 12 (Konzeptkunst, Kunst im öffentlichen Raum, Netzkunst), rasmus knud and Søren Andreasen (Audioinstallation, Rauminstallation, Video, Videoinstallation), Škart, Nika Špan (Video, Videoinstallation)
Archival processing
Archival processing: